LOGLINE

When a Gaylien from the Planet Homo accidentally lands in a conservative American suburb, his world domination begins by opening the minds - and legs - of all those around him.

WHY NOW

The exceptionally well-received three runs of “Homo The Musical!” shows the potential for Homo the film to have a clear path to cult status. Audiences loved the show so much that they came back again and again singing along with the catchy rock songs. Everyone laughed together and sang at the ridiculousness of homophobia, gentrification, and Gay Guns turning people into happy, horny Homosexuals.

With the current assault on LGBTQI+ rights in this country, now is a perfect time for a Big Queer Musical and a TOTAL Gaylien takeover. Although HOMO THE MUSICAL is high camp, the underlying themes of equality and self-realization is the beating heart of the film. There is no justice in the closet. We must fight for our rights and comedy is a great tool to change minds and help foster equality.

DIRECTOR’s STATEMENT

I have been obsessed with cult films since seeing “The Rocky Horror Picture Show” at the age of seven. Growing up in a homophobic place with a homophobic family meant that I had to find my people elsewhere. Cult films and specifically Rocky Horror gave me a sense of belonging. A sense that there were other people like me and that I could have a fulfilling life being queer and in between genders. Sure that representation was a bi-alien with a murderous impulse but...Frankenfurter is still a charming hero.My life’s mission is to make films that bring this same sense of belonging to other people. like John Waters, Kenneth Anger and other queer filmmakers before me, my work roots for the underdog, through humor, camp and heavy metal sing-a- longs i believe whole heartedly that homo the musical can bring that to generations to come. one head banging, high kicking, spandex laden sexy spectacle at a time.

TEAM BIO

Writer/Director/Producer: Lola Rocknrolla is an award winning filmmaker,playwright, comedian and musician known for “Gaysploitation” films like Dragzilla, Nefertitty, Night of the living Gay, Bloodbath of Terror, Nefertitty in Space, and most Recently the feature length documentary “The Big Johnson” which premiered at Slamdance film Festival 2025 to rave reviews and won multiple awards. LOLAROCKNROLLA.COM

Cinematographer: Samantha Schultz is an award winning producer, cinematographer and editor, working for Eden Eats (Cooking Channel) Kitchen Conundrums,Martha Stewart, Facebook Live, Biz Kids (PBS) The Magnolia Network, ABC as well as top end live stream and VR projects. This will be Sam’s fourth film with Lola.

Composer: Gina Volpe is an NYC-based visual artist, guitarist for punk rock legends Lunachicks and frontwoman of Bantam, she has released eight full-length albums and countless EPs and singles. From her teenage years touring the globe to her solo career, Volpe’s sound fuses melody, grit, and raw emotion. While she’s not busy melting faces with her blistering guitar solos, Volpe composes for film and television - and has scored the soundtracks for all of Lola’s work.

Choreographer: Aliane Baquerot Wilson, Olympic gymnast turned Broadway dancer, has appeared on Broadway in Saturday Night Fever and Twyla Tharp’s Movin' Out. She has acted in the films Southland Tales, Spider-Man 3, the Curious Case of Benjamin Button and has danced with Michael Jackson, Britney Spears, Christina Aguilera, John Legend, Elton John, Tony Bennett and many more.